Works

Awash is a composition for cello and piano inspired by the elegance and simplicity of a washing machine. The piece follows the wash cycle, from the anticipation of loading to the exhilarating spin and the final calm of the door unlocking, reflecting the unique structure and rhythm of the machine.

The opening movement features delicate notes that evoke water filling the drum, with the cello and piano creating a sense of submerged clothes and soapy bubbles.

The middle sections capture the intricate dance of the wash cycle with pulsating patterns and rhythmic motifs, portraying both the mechanical precision and the soothing sloshing of water against fabric.

The climax mimics the rapid spinning cycle, with swirling phrases and intense sequences creating an exhilarating whirlwind of sound. This energy gradually unwinds into stillness.

The final movement echoes the cycle’s completion, with calming melodies that drift like freshly laundered clothes.

Awash transforms mundane activity into a meditative musical journey, celebrating the hidden beauty in everyday tasks.

Maderno’s Opus is a captivating three-movement piece for solo timpani, inspired by the beautiful sculpture of Saint Cecilia, the patron saint of music, created by the artist Stefano Maderno in Italy. This composition journeys through the creative process of Maderno, capturing the essence of epiphany, imagination, and craftsmanship with the unique sounds of the timpani.

1. Epiphany: The first movement begins with the fantasy that Maderno had an epiphany—a sudden, divine inspiration to sculpt Saint Cecilia. This movement is characterized by resonant, echoing strikes on the timpani, symbolizing the birth of the idea and the profound impact of inspiration. The rhythms are bold and expansive, reflecting the artist’s awe and excitement as he envisions his masterpiece.

2. Sketches of the Martyr: The second movement delves into Maderno’s imagination as he sketches the martyr, Saint Cecilia. Here, the timpani’s tones become more nuanced and intricate, mirroring the artist’s detailed work on paper. The rhythms are varied and dynamic, capturing the delicate lines and thoughtful contemplation that go into bringing a vision to life. This movement showcases the timpani’s ability to convey subtlety and depth, representing the artist’s meticulous planning and creative thought process.

3. The Sculpture: The final movement symbolizes Maderno’s physical act of sculpting Saint Cecilia out of marble. The timpani’s powerful, rhythmic strikes evoke the sounds of chisels and hammers, conveying the laborious and exhilarating process of carving the statue. The energy builds and crescendos, representing the transformation of raw marble into a refined masterpiece. The movement captures the enlightenment and excitement of creation, and the triumph of bringing a dream into tangible form.

Maderno’s Opus utilizes the timpani to represent the various tools and stages involved in creating a monumental sculpture. Through its rich and expressive sound palette, the piece brings to life the journey of an artist from inspiration to completion. Each movement is a testament to the transformative power of art and the beauty that emerges from dedication and creative vision. This composition not only celebrates Saint Cecilia and Maderno’s legacy but also showcases the innovative use of solo timpani to convey a compelling narrative of artistic creation.

Mi Shebeirach is a heartfelt piece for pedal harp and voice, offering a poignant prayer for healing sung in Jewish services. The piece features a profound conversation between the voice and harp, each part enriching the other.

The pedal harp provides a celestial backdrop, its gentle arpeggios and sustained harmonies evoking a sense of peace and divine presence. It punctuates the plea to God, underscoring the voice’s urgent call for blessings and recovery for those in need.

The vocal line rises and falls with deep emotion, carrying the heartfelt plea with both tenderness and strength. The melody, intertwined with the harp’s ethereal tones, captures the essence of the prayer’s compassion and hope.

This arrangement creates a meditative atmosphere, inviting listeners to engage deeply with its message of healing. The interplay between the harp and voice offers a moving expression of spiritual support and unity.

Ballyhoo is a fun and lighthearted collection of six 90-second dances, composed for violin, piano, and baritone saxophone. This suite brings together some of my favorite dance styles, celebrating the joy and diversity of dance through the ages, making it enjoyable for both performers and listeners.

1. Bourrée: A lively, baroque-inspired piece with the violin and piano engaging in a spirited dialogue, while the baritone saxophone adds a robust, modern twist.

2. Charleston: Full of the Roaring Twenties’ energy, this dance features syncopated rhythms and upbeat melodies, with the baritone saxophone driving the piece and the violin and piano adding playful, spirited lines.

3. Hula: Conjuring images of tropical shores, this serene dance has the violin sometimes strummed like a ukulele, adding a fun, playful element. The piano creates a gentle, swaying rhythm, while the baritone saxophone adds a mellow, soulful undertone, evoking an island breeze.

4. Disco: Bursting with the infectious beats of the 1970s, this piece prominently features the iconic gallop rhythm that harkens back to the era. The violin channels the gorgeous, over-the-top style of 70s disco hits, adding a flashy and vibrant layer. The baritone saxophone leads with funky riffs, while the piano grounds the piece with rhythmic and harmonic depth. 

5. Line Dance: Capturing the communal spirit of folk and country line dancing. This peppy western jam is a delightful nod to Americana barn dances. The violin plays a fiddle-like role, the piano provides a steady, rhythmic foundation, and the baritone saxophone adds a rich, melodic counterpoint.

6. Minuet: Closing with a nod to classical elegance, the violin and piano perform a graceful dance reminiscent of courtly ballrooms while the baritone saxophone infuses a unique, modern timbre into this timeless form. 

Ballyhoo is not just a collection of dances; it’s a playful exploration of how music and dance, for hundreds of years, have been about having fun. The choice of instruments—combining the baritone saxophone with the violin and piano—adds a unique and amusing twist, making it enjoyable for both performers and listeners. Even the names of the pieces are intriguing and playful, perfect for those days when a bit of levity is needed.

Presque Rien, french for Almost Nothing, is a trio for piano, violin, and cello. It evokes a range of feelings through its carefully crafted melodies and harmonies. Exploring the connection between movement, balance, and emotion, the piece delivers moments of agitation and moments of ease. The undulating tones and harmonies of the piece are akin to the skilled high-wire performers who tiptoe cautiously on the tightrope. At times melancholic and at times joyous, the composition engages both the listener and the musician, creating a reflective and immersive experience. Overall, it is a thoughtful composition that engages the listener and player alike. 

Lane Violation is an elegant yet playful chamber piece for flute, clarinet, and bassoon, structured around the theme of basketball. The music balances a bouncy, rhythmic energy with lyrical, melodic phrases that echo the anticipation, quick movements, and fleeting moments of beauty on the court. Each instrument takes turns “dribbling” melodic ideas that pass seamlessly among them.

The piece is delightfully quirky, with unexpected harmonic shifts and rhythmic syncopations that bring a sense of lively unpredictability—like a player changing direction mid-game. However, its playful nature never veers into silliness; instead, it reflects a lighthearted sophistication that keeps the listener engaged throughout its well-paced seven minutes.

Amidst the rhythmic playfulness, Lane Violation incorporates gentle, touching moments, offering a pause to reflect before the next flurry of energy. The result is a piece that is whimsical yet refined, accessible in its melody and harmony, with a sense of joy and contemplation that feels as natural as the flow of a well-executed basketball game.

Gardyloo! is a vibrant and thrilling piece composed for concert band, skillfully crafted to create a memorable experience for both performers and listeners. Rated at a 3-3.5 difficulty level, this composition balances accessibility with engaging musical challenges, making it a perfect selection for intermediate ensembles.

Spanning approximately 5 and a half minutes, Gardyloo! takes the audience on a dynamic journey, weaving together moments of exhilarating intensity with interludes of sweet, warm tranquility. The piece is characterized by its vivid energy, juxtaposed with sections that offer a gentle respite, creating an enjoyable variety that captivates listeners from start to finish.

The title, Gardyloo!, adds an element of humor and historical reference, originating from a term used to warn pedestrians of waste being thrown from windows above. However, beyond its amusing origin, the piece carries a deeper message encouraging people to “look up” from their distractions, such as their phones, and engage more fully with the world around them.

In Gardyloo!, the combination of rousing moments and tender harmonies ensures a performance that is both fun for musicians and thoroughly enjoyable for audiences, making it a delightful addition to any concert program.

This symphony, inspired by the geometric elegance of the Star of Lakshmi, captures the unique interplay of two intersecting stars merging into a unified shape. Without referencing cultural associations, the piece focuses purely on the visual form’s balance of strength and softness. Across its 5 ½ minutes, it explores contrasts in texture and mood, moving fluidly between dynamic tension and delicate introspection.

The music opens with bold, resonant lines that establish the symmetry and power of the shape, as instruments weave melodic and harmonic ideas to create a layered soundscape. The middle section builds a sense of urgency, mirroring the tension within the intersecting points of the stars; here, rhythmic and harmonic intensity peaks before a satisfying release. In gentler moments, the flute delicately carries the central motive, adding a tender, introspective quality to the shape’s softer, rounded edges.

With its focused length and refined pacing, this piece captures the geometric beauty of the Star of Lakshmi, balancing strength and tenderness in a compact symphonic experience.

Claustrophobic is a compelling piece for string orchestra that explores the concept of being contained and then experiencing the sensation of freedom. Through intricate rhythms, dynamic contrasts, and evocative melodies, the composition captures the emotions of constraint and liberation.

The piece opens with tense, rhythmic patterns featuring sharp pizzicato notes and dissonant harmonies, creating a sense of confinement. These elements build progressively, heightening the tension and pulling the listener into a claustrophobic experience.

As the tension peaks, the music transitions into lovely, romantic sections with lyrical and sweeping melodies rich in harmony, evoking a sense of release and expansive freedom. These lush and expressive sections provide a stark contrast to the earlier tension.

However, the sense of liberation is fleeting, as the piece returns to tense rhythmic motifs that recapture the feeling of constraint. The oscillation between these contrasting sections reflects the cyclical nature of confinement and release.

The climax weaves these elements together, with the final moments left ambiguously balanced between tension and freedom. The unresolved conclusion prompts reflection on the perpetual struggle between these opposing states.

Claustrophobic uses the full expressive range of the string orchestra to create an intense yet beautiful exploration of constraint and liberation. The interplay of rhythm, dynamics, and melody takes the listener on an emotional journey, capturing the essence of both tension and harmony.

Step into a world where every moment holds unparalleled significance with “Un Unique Usage (A Unique Moment),” a symphony that poignantly captures the fleeting nature of life. Much like the transient experience of marveling at a masterpiece painting in a museum, hearing an exquisite piece of music performed live, or witnessing a life-altering event such as a wedding or funeral, this composition delicately explores the enigmatic and melancholy essence of moments that can never be relived.

Throughout the piece, various ensemble groupings come together to create both poignant and reflective passages. Each section works in harmony to evoke the delicate, transitory essence of life’s most cherished experiences.

The composition unfolds with deeply reflective melodies that carry a sense of sorrow, only to build into triumphant moments that symbolize the human spirit’s resilience and the tiny victories found even in trying times.

Rich and evocative horn sections add depth, invoking grandeur and triumph as they rise and fall, guiding the listener on an emotional journey. While the strings and winds join in to celebrate the ephemeral nature of life through a vivid interplay of instrumental voices.

As the symphony progresses, melodic moments return, weaving together the various themes and reminding us of the momentary nature of precious experiences. “Un Unique Usage is a testament to the passage of time, emphasizing that sometimes, one shot is all you get—but in that singular moment, there lies profound significance, hope and opportunity.

This symphony is a heartfelt ode to the ephemeral, a reminder to cherish each moment, and a vivid emotional tapestry that resonates deeply with the listener.